Name track 2 “GROUP B” or “B” or whatever you like. Name track 1 “GROUP A” or “A” or whatever you like. *Set each of these tracks to “RECORD: OVERDUB” by right-clicking the record arm icon (this is important especially when you’re looping a section and building a pattern).ģ. *Make all of their inputs be MIDI: ALL INPUTS, and set each track’s record mode to “Automatic Record-Arm When Track Selected” (right-click the record arm icon).
This is the #1 reason I prefer using Maschine as a VST… for sample-chopping (quickly and easily), and tapping these chops out to pre-made loops just to get a song idea going, and fast. and BONUS- you get REAPER’s Media Explorer, and time-stretched looping. This configuration is great if you prefer to use REAPER’s sequencer and do a lot of MPC-style sample chopping and whatnot. I’ve since found that it’s actually VERY advantageous to go into Controller Mode with Maschine, once everything is set up properly with REAPER. Last weekend I worked hard on getting Maschine to work great as a VST inside REAPER (multi-timbrally), without going into Controller Mode. Maschine as VST in REAPER – FULL TUTORIAL plus Controller mode config
Big thanks to Chris for sharing this great tutorial. When I came across the tutorial it looked too good not to share. This is a guest post from Chris Caulder, originally posted on the forum.
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